A3 (c. 16"x12") print on:
Permajet Gold Silk (£26)
Innova Soft-textured matt (£24)
It rains in Italy, too. This was a hotel terrace after a downpour, and funnily enough, nobody
seemed keen to be in the swimming pool. I liked the recurring patterns of this shot, just
random enough to make it interesting but not too repetitive. As you may have noticed from
other photographs on this site, I tend to favour patterns or collections of objects within the
picture (eg. punts on the river at Cambridge, or the kettle shots), quirky abstract images like
the collections of boats at Felixstowe Ferry or found textures, such as the doors next to
crumbling walls in Kerala. The downside to this is that my pictures tend to have no distinctive
style, nothing of the sort of coherent 'look' that would be evident in many other
photographers' exhibitions. I live in hope that one day I will develop a 'look' that attracts a
gallery owner.
It rains in Italy, too. This was a hotel terrace after a downpour, and funnily enough, nobody
seemed keen to be in the swimming pool. I liked the recurring patterns of this shot, just random
enough to make it interesting but not too repetitive. As you may have noticed from other
photographs on this site, I tend to favour patterns or collections of objects within the picture (eg.
punts on the river at Cambridge, or the kettle shots), quirky abstract images like the collections of
boats at Felixstowe Ferry or found textures, such as the doors next to crumbling walls in Kerala.
The downside to this is that my pictures tend to have no distinctive style, nothing of the sort of
coherent 'look' that would be evident in many other photographers' exhibitions. I live in hope that
one day I will develop a 'look' that attracts a gallery owner.
A3 (c. 16"x12") print on:
Permajet Gold Silk (£26)
Innova Soft-textured matt (£24)