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All papers, inks and mount-board materials are of conservation grade.
All papers, inks and mount-board materials are of conservation grade.

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This odd building was in a small village
near Montpellier in southern France. It
probably needs a little work in a photo
editing programme (I'll attend to it -
watch this space) to make it a more
interesting picture, but I hadn't seen a
slate-walled building before, so a quick
'snap' secured the memory (which is
what 99.99% of all photographs ever
taken are for). I arrived at the square
format by the failure of any other
framing device to actually work
satisfactorily. Yet I still find it a slightly
unsettling composition: no centre of
interest, once you've got over the fact
of it being a slate wall, no obvious path for the eye to travel. no interesting play of
light. So why is it here? - well, I quite like it, despite everything!
This odd building was in a small village near Montpellier in southern France. It probably
needs a little work in a photo editing programme (I'll attend to it - watch this space) to
make it a more interesting picture, but I hadn't seen a slate-walled building before, so a
quick 'snap' secured the memory (which is what 99.99% of all photographs ever taken
are for). I arrived at the square format by the failure of any other framing device to
actually work satisfactorily. Yet I still find it a slightly unsettling composition: no centre of
interest, once you've got over the fact of it being a slate wall, no obvious path for the eye
to travel. no interesting play of light. So why is it here? - well, I quite like it, despite
everything!
This odd building was in a small village
near Montpellier in southern France. It
probably needs a little work in a photo
editing programme (I'll attend to it -
watch this space) to make it a more
interesting picture, but I hadn't seen a
slate-walled building before, so a quick
'snap' secured the memory (which is
what 99.99% of all photographs ever
taken are for). I arrived at the square
format by the failure of any other
framing device to actually work
satisfactorily. Yet I still find it a slightly
unsettling composition: no centre of
interest, once you've got over the fact
of it being a slate wall, no obvious path for the eye to travel. no interesting play of
light. So why is it here? - well, I quite like it, despite everything!

Slate wall

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For your own fine-art print of this picture:
This odd building was in a small village near Montpellier in southern France. It probably needs a little work in a photo editing programme (I'll attend to it - watch this space) to make it a more interesting picture, but I hadn't seen a slate-walled building before, so a quick 'snap' secured the memory (which is what 99.99% of all photographs ever taken are for). I arrived at the square format by the failure of any other framing device to actually work satisfactorily. Yet I still find it a slightly unsettling composition: no centre of interest, once you've got over the fact of it being a slate wall, no obvious path for the eye to travel. no interesting play of light. So why is it here? - well, I quite like it, despite everything!  
Keep it simple: plain white mount, not floated, thin black frame.

Keep it simple: plain white mount, not floated, thin black frame.

World gallery
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