PICTURESONLINE

PICTURESONLINE

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B & W
framing suggestion:
In my youth, Rome was a siren call that was only (temporarily) satisfied when a mate and I took
off on a motorbike one glorious summer with the last knockings of our student grants, for a
whistle-stop tour of as many youth hostels as it took to get from Salisbury - where we were
studying applied photography - to the Eternal City.
With neither of us budding Ansel Adamses or Cartier-Bressons, the lost photographic opportunities
don't bear thinking about, and it was only later in life that more funds and more experience in
photography rescued any 'creative' talent we had. In the meantime, we've both had jobs in
industrial, medical or aerial photography, and in my case a career as a film and television
cameraman, before retiring to consider where we went wrong. Neither of us managed to join that
elite club of photographers who were in the right place at the right time with the right pictures
and got ‘noticed.’ Anyway, this photograph of the massive door to the Pantheon is one of the
few that have survived since that early escapade. The third participant on that trip performed
exquisitely: the bike - a 600cc side valve BSA - didn't break down at all, amazingly, and we got
back on time for once.
In my youth, Rome was a siren call that was only (temporarily) satisfied when a mate and I took off
on a motorbike one glorious summer with the last knockings of our student grants, for a whistle-stop
tour of as many youth hostels as it took to get from Salisbury - where we were studying applied
photography - to the Eternal City.
With neither of us budding Ansel Adamses or Cartier-Bressons, the lost photographic opportunities
don't bear thinking about, and it was only later in life that more funds and more experience in
photography rescued any 'creative' talent we had. In the meantime, we've both had jobs in
industrial, medical or aerial photography, and in my case a career as a film and television cameraman,
before retiring to consider where we went wrong. Neither of us managed to join that elite club of
photographers who were in the right place at the right time with the right pictures and got ‘noticed.’
Anyway, this photograph of the massive door to the Pantheon is one of the few that have survived
since that early escapade. The third participant on that trip performed exquisitely: the bike - a 600cc
side valve BSA - didn't break down at all, amazingly, and we got back on time for once.

Pantheon door, Rome

largebw 11b
Black & whites

A3 (c. 16"x12") print on:

Permajet Gold Silk (£26)

Innova Soft-textured matt (£24)

A2 (c. 23"x16") print on:
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)